MacDirectory Magazine

Elderbrook

MacDirectory magazine is the premiere creative lifestyle magazine for Apple enthusiasts featuring interviews, in-depth tech reviews, Apple news, insights, latest Apple patents, apps, market analysis, entertainment and more.

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46 MacDirectory INFOGRAPHIC The Father and The Bear is his most recent of five micro-budget projects that have earned him an impressive number of film festival awards around the globe. The Route 30 Trilogy of films received 47 festival awards and cult Mojave Phone Booth nabbed 15 awards over its 51 official FF selections He follows his personal indie filmmaker rules -- budget under $100,000; maximum crew of eight; equipment must fit in one car and SUV; actors responsible for their own wardrobe/appearance; shot in less than 18 days. "Big budget projects rely on big names, elaborate special effects and an obscene marketing drive or providing extra storage. For every film, he uses new hard drives because for him, reusing/overwriting a drive is a false savings and isn't a risk that even the indie film maverick wants to take. "I have an offsite backup of every project I've done," he said. "And every 4 or 5 years, I copy the projects to a fresh drive. It's just cheap insurance every filmmaker should have - studio or indie." High-resolution, multi- camera images increase the demand for high-capacity storage and entrusting the content to the cloud is certainly an option. budget," Putch explained. "We rely on the tools every Indie filmmaker can use and the creative talents of all of the people involved. It's all about the story." Post Work - Back in his Studio City, CA home/post production facility, John Putch puts the finishing touches on "The Father and The Bear" before placing it with Vimeo On Demand and beginning the promotion of the film. For production, Putch uses an OWC Drive Doc that he calls a HD toaster dock. The dock enables him to add and remove drives for maintaining multiple drive backups, cloning a hard We'd probably be a little more comfortable with it if streaming service guardians weren't so tired of fighting off the pirates that they decide to relabel the lost income as market research or audience testing. Reed Hastings, Netflix CEO; and Jeff Bezos, Amazon CEO; would probably prefer to invest that lost income into something like oh … new original content. But they just do their best to protect the content they acquired from indies, fight the good fight and agree with Lt. Col. Bill Cage, "We've been through worse." It's a battle today's filmmaker can't afford to be in again and again.

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