are for content. "They are
passionate enough about it
to break the law," she said.
The Alliance for Creativity and
Entertainment took a different
view, saying that piracy is a
continuing threat to creators.
Hit and Miss –
Sometimes video pirates
aim for a specific film/
show to hit and other
times they just go for
whatever they hit. And
it's a lot easier to hit
something good in a big
streaming service cloud.
If people who make their
living selling video streams
are having a tough time
keeping content safe and
write off the stolen streams
as "market research," how
safe will the lone filmmakers'
or production teams' content
be in a cloud that rents out
production space?
Right!
At the HPA (Hollywood
Professional Association)
The projects are done locally
and delivered to one of the
firm's libraries (preferably in
4K).
Long or short; 4K, 8K or
VR; documentary or feature
filmmakers have all heard the
pitch for production storage,
retreat earlier this year, Greg
Barrett, Netflix Manager of
Digital Production Assets
& Delivery, pointed out that
while content is streamed,
monitored, managed globally
content production is done by
indie filmmakers.
transcoding, rendering and
visual effects work flows in
the cloud.
What's keeping visual
storytelling from using
the cloud as its primary
workflow source?
INFOGRAPHIC
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